Adam's artistic research & practice centres on a multi-screen form he calls the video polyptych with which he explores cognitive dissonances underlying our responses to climate change. Building on his documentary background he is undertaking a PhD at the University of New South Wales' Faculty of Art & Design, exploring aesthetic visual representations of anthropogenic global warming.
You can read an interview with Adam at Climate Conversations (July 2016).
His previous gallery exhibitions include Roads to Nowhere (2012), part of the Head On Photo Festival, Vivid Sydney and Rocks Pop-Up; Raise | Retreat | Rise (2013, for the Re:Cinema exhibition in New York / ISEA Sydney) & Below the Line (World Expo, Milan, 2015). Adam’s single-channel artworks include Le Violoncelle (2003), METROpolis & Camel Roundabout (2012) and his AnthropoScenes (2017-). In the 2nd half of 2016 he was an artist in residence at La Cité Internationale des Arts in Paris, and in 2017 at both Gallery Svalbard (Longyearbyen) & SÍM Reykjavík (Iceland).