Below: various thermographic research stills.
raise | retreat | rise (2013)
(excerpt only) 3 HD videos, each 8hrs05mins at 24fps.
We are presented with three porthole-like apertures which take their cue from various spheres of the Earth sciences: in this case, the atmosphere, cryosphere, and hydrosphere. Through them the viewer encounters three shots of extraordinary duration. Each shot, recorded at 60 frames per second and played back at 24, runs simultaneously and continuously for eight hours and five minutes. They are recorded using digital technology unencumbered by the need to swap film-rolls or videotapes.
The duration references another work which plays with the idea of imperceptibility: Andy Warhol's 1964 film Empire also runs for 8hr05min. A single shot (but for film-roll changes) of New York's Empire State Building as it disappears into the night, Empire was filmed at 24 frames per second but is slowed to 16 during projection to further the imperceptibility of the on-screen changes.
In raise | retreat | rise each shot appears essentially unchanging but for waves, passing clouds and periodic lens-cleaning by the artist. Yet in the time taken to view the work once from beginning to end, peer-reviewed science tells us anthropogenic atmospheric CO₂ levels will be raised by approximately 14 million metric tonnes; Switzerland's mountain glaciers will retreat an average of 20mm; and the world's oceans will rise by at least 0.003mm. These changes — though disturbingly rapid in geoscience terms — lie beyond the perceptual limits of both the medium, and our senses.
RORSCHACH ISLANDS & ICEBERGS
Drawing on the famous psychological “ink-blot test”, what might our responses to these inexorably disappearing forms tell us? (Work in progress, late 2018.)
Stills from various Anthropocene-related projects 2003-2018 including the photographic series Below the Line (2016) documenting the submergence of Venice beneath rising water levels and the Roads to Nowhere (2013) study of empty multi-lane highways ringing Dubai after the Global Financial Crisis.
Adam Sébire • firstname.lastname@example.org • Last Updated December 2018